OtterBob's
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    • KESLER RANCH FLINT CREEK
    • ANACONDA WINTER BARN
    • HUSTON NIGHT BAY
    • BODEGA BAY
    • PHILIPSBURG BARN - GOLDEN
    • MOSSY VALLEY OAK
    • NIGHT TREE NO.01
    • WINTERS WILLOW
    • ASPENS NO.01
  • Abstracts
    • Abstracts
  • Lamps
    • Lamps
    • Table Lamp #001 Images
    • Hanging Lamp #002 Images
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    • Desk Lamp #004 Images
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    • Accent Lamp #006 Images
  • Professional Work
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    • Home
    • Paintings
      • Paintings
      • KESLER RANCH FLINT CREEK
      • ANACONDA WINTER BARN
      • HUSTON NIGHT BAY
      • BODEGA BAY
      • PHILIPSBURG BARN - GOLDEN
      • MOSSY VALLEY OAK
      • NIGHT TREE NO.01
      • WINTERS WILLOW
      • ASPENS NO.01
    • Abstracts
      • Abstracts
    • Lamps
      • Lamps
      • Table Lamp #001 Images
      • Hanging Lamp #002 Images
      • Desk Lamp #003 Images
      • Desk Lamp #004 Images
      • Floor Lamp #005 Images
      • Accent Lamp #006 Images
    • Professional Work
      • Show Reel
OtterBob's
  • Home
  • Paintings
    • Paintings
    • KESLER RANCH FLINT CREEK
    • ANACONDA WINTER BARN
    • HUSTON NIGHT BAY
    • BODEGA BAY
    • PHILIPSBURG BARN - GOLDEN
    • MOSSY VALLEY OAK
    • NIGHT TREE NO.01
    • WINTERS WILLOW
    • ASPENS NO.01
  • Abstracts
    • Abstracts
  • Lamps
    • Lamps
    • Table Lamp #001 Images
    • Hanging Lamp #002 Images
    • Desk Lamp #003 Images
    • Desk Lamp #004 Images
    • Floor Lamp #005 Images
    • Accent Lamp #006 Images
  • Professional Work
    • Show Reel

Artist statement

OTTERBOB: ARTIST

My artistic journey currently focuses on documenting the abandoned historical structures and landscapes of Montana’s Flint Creek Valley, with the intention of capturing them before they vanish forever. Since living in the area for the last 5 years, I have witnessed the degradation of these structures due to natural causes and people salvaging souvenirs illegally. These historic buildings are under threat and will soon disappear, along with their unique stories.


I’ve always been captivated by old, abandoned structures and ghost towns constructed during the historical mining boom of the late 1800’s and early 1900’s. I find it fascinating how boomtowns would spring up overnight attracting thousands of people from all over the world in search of their fortunes in the newly founded wild west. Just as quickly these towns would appear, the vast majority were abandoned not long after the mines ran dry. Whatever could not be loaded onto a wagon was left behind. 


I draw inspiration from the beauty and complexity of these old structures. The old, weathered hand milled timbers that make up these buildings capture the realities of what it meant to be a pioneer, an adventure, a trailblazer, someone looking for a better life. Each structure is a story upon itself with captivating visual dynamics but also serves as a metaphor for the contrasting emotions and experiences that shaped the lives of our ancestors which we reflect upon ourselves. 


I create my paintings using digital paint programs, specifically Adobe Illustrator which is traditionally a graphic design program that I “untraditionally” use as a paint program. Layer upon layer of 2D geometric translucent brush strokes create a level of depth akin to watercolor, gouache, or silkscreen inks. My pieces are large, up to eight feet, using archival pigments printed on fine art papers.

PAINTINGS


"KESLER RANCH AND FLINT CREEK" 

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Old log barn winter scene in background an overwintering Poplar Forest. Snowy meadow in foreground.


"ANACONDA WINTER BARN"

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Dark night industrial complex glows under fog lit lights reflecting on a darken body of water.


"HUSTON NIGHT BAY" 

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Rocky coast ocean scene sunsetting golden hour. Sunlit shimmering waves and pelicans flying above.


"BODEGA BAY" 

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Old hay barn scene sunsetting golden hour. Old worn golden amber woods with dark shadowed interior.


"PHILIPSBURG BARN - GOLDEN HOUR"

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Bright green mossy covered old gnarly oak tree. Golden hour sunlight glows the moss a vibrant green,


"MOSSY VALLEY OAK"

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